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the great cathedral of siena, the duomo. thefaã§ade is crowded with sculptures and architectural details and boasts three large doors, thecentral one capped by a bronze sun. work began on the lower part around the year 1284 usingpolychrome marble, with statues depicting prophets, philosophers, apostles and storiesof the virgin. the faã§ade was then raised higher in the early 14th century to accommodatean expanded and higher nave, utilizing a more elaborate design scheme in the upper levelheavily influenced by french gothic architecture. and then the faã§ade was finished sometimebetween 1360 and 1370. but don't just look at the outside. pay that small admission feeto enter into paradise. it is one of the world's most beautiful and intriguing churches. it'sa must-see on your visit, loaded with astonishing

architecture, sculpture and paintings. thisfirst sensation might be one of positive bewilderment of riches. nothing quite prepares you forits unparalleled lavishness of decoration. you are surrounded by so many beautiful thingsthat you don’t know which way to turn next. it is a vast, orderly confusion of beauty.one aspect you cannot miss is the huge dome that soars overhead. this is a mysteriousand magical feature that appears to be coffered with square recesses, but this is an opticaltrick painted on in the 16th century. slightly asymmetric, the blue dome with golden starsis a stunningly attractive sight representing the kingdom of heaven. the cupola was finishedin 1264, and thus preceded brunelleschi’s larger dome at florence by 150 years. thegreat gothic pillars stretch down the long

nave carrying round arches whose inner curvesare elegantly coffered, and surmounted by a cornice containing a 172 plaster heads ofpopes looking down. one is dazzled again by the infinite multiplicity of beautiful detailwherever the eye can reach. another masterpiece, that some consider the most significant individualwork, is the elaborately carved 13th-century pulpit by nicola pisano, with help from otherslike arnolfo de cambio and his workshop. pisano was one of the most important gothic sculptorsin europe whose animated styles paved the way for the renaissance, which he anticipated.he carved many great works, but the most important are the pulpit here and the one in pisa. thenaturalistic carving of the lions holding up the pulpit is a departure from earlierrigid gothic carvings and could be considered

the beginnings of renaissance sculpture. asa platform for preaching, the pulpit was a focal point of great interest to the congregationduring the sermon, and this one rises to the occasion with many elaborate, flowing scenesfrom the life of christ. dimensions of the church are 289 feet long by 80 feet and thetransepts measure 173 feet wide. michelangelo, a native of tuscany, has a marble statue ofst. paul and three others here, not his best work -- but noteworthy because it was to bepart of a larger series of 15 statues that he was paid for by pope pius iii but neverfinished, resulting in a lawsuit that dogged him for much of his life. adding further insult,one of the other statues in this piccolomini altar was carved by a rival, pietro torrigiano,who had broken michelangelo’s nose a dozen

years earlier, permanently disfiguring him.on the right side enter through a magical doorway. piccolomini library. we are now inone of the world's most beautifully painted rooms. this is called a painted biographybecause it is about one person, piccolomini, a person who became pius ii. these are theoriginal colors, they are 500 years old. these frescoes have never been restored. look atthe fresh colors. this has some beautiful perspective, and so on. the piccolomini library,a gallery with a series of 10 large, brightly-colored frescoes painted in realistic renaissancestyle by the perugia master pinturrichio, from 1502 through 1509. the frescoes depictimportant events in the life of pope pius ii. after the pope died, his nephew, who laterbecame pope pius iii, funded construction

and decoration of the room, which was oneof the most important art projects in italy at that time. most visitors are unaware ofthis hidden treasure that it is well worth the small admission fee to go inside. on afine renaissance pedestal stands a famous antique group of the three graces, found inthe palazzo colonna at rome about 1460 by pius ii. and presented by him to the cathedrallibrary. from this work raphael is said to have made his first studies from the antique.the viewing experience is astonishing because you are completely surrounded by the painting,totally immersed inside it rather than just looking at it. the walls are filled with deepperspective showing vast landscapes and elaborate architecture that frames extremely detailedscenes religious and political celebrations,

depicting hundreds of people in decorativerenaissance dress, interacting with the pope. pinturrichio is not very famous worldwidebecause most of his work was done here and in his native umbria, although he did somework in several other major churches including the sistine chapel's lower walls, and a fewof his paintings are in important museums in america and throughout europe. each sceneis framed by illusionistic columns and arches decorated with red and white marble trompel'oeil paneling. the 3-d illusion makes it seem we're looking through the arches of agigantic loggia into broad imaginary spaces filled with many people and distant landscapes.as crisp and real as a photograph, truly these are masterpieces. the hero of this pictorialhistory was enea silvio piccolomini, who became

pope pius ii. before becoming pope or holdingany religious position he lived a diverse life full of accomplishment as a humanist,scholar, diplomat, poet and novelist, including fathering several children and writing a best-sellingerotic novel still available today called the tale of two lovers. the life story ofpius is quite dramatic, the fitting subject for such a vast panorama. he traveled as adiplomat throughout europe as far as scotland, germany, switzerland and bohemia. pius iiis portrayed first as a very charming youth, elegant and refined. and then he presentshimself as an envoy of the council to king james i in scotland. perhaps his greatestmoment when he was crowned as pope in the latteran in rome. he canonizes st. catherineof siena with the un-decamposed corpse of

the saint at his feet. greeting the venetiannaval fleet in ancona on its way to battle with the turks. exhausted by the journey,pius died the next day. bringing our library visit to a close. the remarkable floor isone of the most famous things inside the duomo with 56 large mosaic pictures made from multipletypes of colored marble. it is considered by many to be the building’s masterpiece:it is unique in the world. bold three-dimensional, geometric designs frame the pictures and extendthroughout all dimensions of the floor. you can have the singular experience of walkingon a work of art, on a marble carpet picture gallery instead of looking at paintings ona wall, but the unwary could easily overlook these mosaics while gazing around at the duomo’smany other powerfully attractive features,

so be sure to have a good look down at yourfeet while you're walking around. rome’s greatest baroque sculptor, gianlorenzo bernini,is also represented in a side chapel which he designed, containing two of his statuesof saints -- jerome and mary magdalen. it is rare to find any works by bernini outsideof rome, so this is a special treat. this cappella del voto, belonging to the chigifamily, was built in 1661for pope alexander vii., a native of the siena region who supportedbernini’s studio in rome with important commissions, including alexander’s majortomb in st peter’s. more than just a religious structure of the duomo is the economic symbolof wealt, h international trade and cultural influences. it is the only building in townconstructed entirely of marble. nearly a century

after it was finished the sienese hoped toexpand it into the largest church in the world, but that never happened because the blackdeath, the plague, wiped out most of the population in 1348, and the ambitious work was halted.upon exiting the church look around to the right side where you'll find evidence of theearlier plans to expand the church. in what is now a parking lot, they left standing whatwould've been the faã§ade of that grand church.