How To Flashing lemon p10
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How To Flashing lemon p10
in this video i had a splash of color and create an imagethat you can take whatever the weather adorama tv presents take and make great photography withgavin hoey for you learn how to take stunningphotos and then polished and in post-production hello i'm gavin hoey and working atadoramatv brought to you by adorama the camera store that has everything a photographer's while look at thatweather out there
winter who wouldn't want to go out andtake pictures in weather like that that her anyway so if the weatheroutside is not playing ball for you then i've got a great indoor shoot for you to do whatever theweather don't forget to check out around his latest contest and your chance to win amazing prizesthe idea is that we're gonna photograph a splash of color quite literally infact because i'm gonna photograph a lemonbeing dropped into a glass of water now if you see me do splash photographybefore then you know we can do this on
a release important low-budget setup it happened and go check out the adoramalearning center we can find out lots more information now what i want is a nice clean whitebackground so i got my little pop-up black and white background on the thewhite side and i'm going to use my speedlite flash to illuminate thebackground and i mean a backlit the scene so that'sthe idea so i may get my flash i'm gonna put it onto man you marriedand we're gonna put it down into one 8 power why 18 power we gotta startsomewhere and
that seems like a good place to beginchances are we'll need to change it but for now well pop it at 18 for the camera andwork in am for manual i'm gonna be on a 202 the second shot aspade argues excited my aperture i'm a starter iso 200 i may end upchanging that again a good place to begin on a tripod because well i'm not gonnabe at the press the button drop a lemon and do everything bostonbehind the camera so a tripod is really important for this huge
and is a little remote released totrigger everything as one more thing i need to do my aspeedlight is already set so it's in its slave maid but the actual camera itself i need topop up little flash to trigger the the main flash and thatnight to them after and then the speedlite as a slight myneed is one more piece of equipment that i was having the studio but whenever i'mphotographing water it absolutely vital the really good how you gonna need this is gonna get wet soi got my class here this is the
think we're gonna drop the lemon intoand i'm gonna fill it with water but just to put a little bit more interestinside the glass i've got some %uh veins and that theseare ice cubes but is winter i i wanna hold real ice cubesits freezing enough as it is leader actually fake these are made outglass saying pick up lower for perspective icecubes or course you can use real ones if you like senate just at the earliestand manchester hyatt don't you got your shop framed up he's a really good hip make sure yourglasses in focus
and then switch from autofocus to manualfocus that way when you're taking pitches newaway from the camera %um won't have to worry about it suddenly refocusing and and missing a great shotokay so they think it s picture pratt was taken without a flash to showyou why it's so important if the flash doesn't fire and i reallydon't have a picture it almost totally black no flash no pitcher with the flash going well let's take atest pitcher and see how we can act that white background is not quite aswhite
i'd like it to be now remember i'm onone night power for the flash so either a little wiggle room here thiscode increase the flash how so i'm gonna die did up from 18 to acourt at how that one more stop a blight aftermeetings brighter that may well be just the right solution let's take the same shot again here wego yes better i've definitely got more whites yeah i'm losing a little bit still hasbeen a great on the background now i don't wanna go any more on the flashthan a call to power because
the freezing power of the flash thereason water comes out frozen and sharp is because the flashonly last for a very short period time and a call to power the duration is abang out of four thousand to the second by increase the flash power there and ithink the oil change the shutter speed and i would end up with water that's notquite a shop so i don't wanna go anymore than a quarterpower but i can still drink the iso among 200 iso at the moment okay wellthat's just popping up to 400 eyesight and we'll see how that changes the shot yet perfect okay so 400 iso call topower on the flash
f8 we're ready to go so i'm ready to start taking pictures igot my my lemon now sliced up and waters ready and i the the cameraset so when i need to do is drop thisperfectly into the water can press the button at the exact momentwhen it creates the perfect splash yes using a happen in one shot this istake if you guys were here we go line things up or try member to get highenough so my hands now in the frame and slash okay well and that guy
well that is not too bad nasa a prettygood splash but it's probably a better one in his some wesson let's get my 11back and we'll or top up the water weekend and we'll go again and this really is anumbers game the more you do this the more chance getting good splash now he's gonna get the timing right topthat once more and 11 and will drop it in excellent okay so got a really good shotthere now if you don't get it after a coupleguys you can eat just to white down your
your surface here and well try again but remember he do110 yourself is if you move your camera or your and glass a water you've got to refocus remember yourmanual focus if anything changes that could cause you problems you don'twanna miss a shot is at a focus and just do one more he week a wow big splash fantastic now once you got a really good shot thatyou're happy with the temptation is to
stop you've got the picture well done but maybe try couple of other ideas andtry going close aside a battery frame go place at and to takelike mortgages dual 0 do the good okay so there we go we got lots havepictures some good some bad but remember we only really need one great pitcher
i'm gonna find that and run it throughphotoshop right now so of course when i said photoshop wheni meant photoshop and lightroom becauselightroom is the perfect all editing lotsa pictures like that shootto see how it's done so what i got here are just a few of thepictures that i shot and you'll see that the class doesn'tchange shot to shot the lighting doesn't change i need asplash changes and some it's very good others it's the not so good i think that's what's a goodat that one that was a great show and
he's literally are one sequence ofimages the end it's a good so i'm gonna choosemy page the process which will be this one he and and the great thing about lightroom iswhen you process one picture you want to repeat it on lotsa pitchesit can do it automatically and pretty much instantly say it firstthing to do is have a look at these white background it is white background as white as ithought it was now when i took my pitches i looked at theback at the camera and i had the
highlight warning blinking away sayingthat background is nice and bright and white trouble is the back at the camera shows you ajpague image so it's processed by the camera and i shoot inraw so these are the un process pitches andthat white background isn't quite white so that's gone have tolook so if i turn on the the clipping warning there for the highlights and i come down to the whites andincrease the whites that's what i'm saying on the back atthe camera so if you're shooting heikki
and you're processing in lightroom forlike 15 or photoshop cs6 or cc then you find you do have tobump up the white slider to get it to look more like back in your camera and whattime he ran a push up the clarity two reasons partly because this reallydoes work well with clarity but mostly because i just like clarity next we're gonna make some localadjustments and we're going to use the adjustmentbrush now they just brush festival need to reset
or the sliders nice little lightningtrick double click on the word perfect everything goes back to 0 now all i wantto do actually is just increase the the brightness the exposure wherenot quite as bright as it could be senators push this up maybe saidthree-quarters of a stop something like that and i'm just gonna paint across the topand around the bottom yes roughly painting in a little bitextra light like site now you see not everywhere went and as have white isit could so i think on the new button to makeanother brush
and repeat it will start somewheredifferent said that in starts in a different place otherwise i will depend on top of eachother and get some confusing okay same here that looks pretty good ican turn off the hall light warning yep that's fine now also making localadjustments let's zoom in a little bit closer and see what we can do with theinside of the glass say let's start with the lemon here inan eleven that's pretty good but not as good as some of the other 11shots it's gone over in a bit of an angle
i'm click on the neubauten and i'm gonnaleave the exposure about where it is but i'm also gonna push up the saturation so with this brush i'mchanging both exposure and saturation at the same time givethat levin a nice little pushing brightness and therest that last things pretty good now is worth noting have a look at theeighties at the class can you see that these nice dark strips around the outside and alsoaround the outside all the the splashes as well now that is
army yep there's a reason i'm wearingdark clothes for the shoot because i one is nice dark ages aroundthe glassware and the splash so you need to have something dark inthis case just me wearing dark clothes was enough the the other side is dark because welli was just a big empty darkroom facing the other direction you don'thave to close or a dark room then you're gonna wanna havesomething like some black flags i just black material or some blackboards yes to be that nice age in dark color
okay so at the actual rest the classwhat i'll do is just making a new brush and this time i'm gonna reset everythingand just decrease the highlights so they're notquite as bright and remove any saturation that i won any kala in these parts the picture and you wantto come out to come from that yellow lemon there is just a hint of color thereother than that in the ass looks pretty much monochromatic okay said there we gothats
that back onto the screen and there'sthe pitcher completed now lovely thing about my room is itsspeed at which you can copy that affect on all the other pitches is how it'sdone on the filmstrip i'm just gonna presscontrol i and they all become selected then i can click on the sync button andsay yep check all synchronize and every paycheck getexactly the same treatment exactly the same sense just go throughthem and see yapping all got the same price as saying an actall look good and now they're all processed you canmake an informed and educated decision
about which one you like i think on pretty good too however you mightfind if you're painting little things likethe lemon you will need to repaint nap from shot two-shot but that one's my favoritepicture and as my final image now if you're in new york city onthe 25th february 2014 and you'd like to spend the daywith me talking about photography and takingsome great pitches well you're in luck the one they onlyi'm gonna be running a series of
workshops and seminars adorama made it all possible and it'scompletely free we need to do is jump over to theat around the web site and register tickets are strictlylimited first-come first-served however if you wanna seemore videos from a and the other amazing presenters here ataround the tv you know you gotta do hang on you've gota up click on the subscribe button i'm gavinhoey thanks for watching
t great-looking print low-cost be sure tovisit our easy to use online printing service adorama pics has professionals to treatyour images with the utmost care that you can counton for quick turnaround on photos cards for albums use adorama dot com
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