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this traffic is terrible, thankyou so much fore get to >>>> james: i really appreciate you. you know, the backways. just make a left up here andass. >> i think it right. really? on, catch it straightahead. >> go stra>> three rights in a row. >> james: i'mregretting asking you,
already regretting asku. do you mind if we lisc. shall i see what is here. can't stop theshindig. coays i'm gonna wingig. this feeling that you pay♪ it's hg u pay for. is living onwest end. ♪ knock out but better♪ don't die you kow the truth is some do.
♪ it is more thandinary. me back. can't stop the spiritsthey need you. ♪ this is life is mor justa r thru. ♪ glorious food, hot sausamustard. ♪ why i'm inhe mood. ♪ for cherry and kus tard. ♪digestion. ♪ i nehought that wewould finish a red hot pepper song and go straight intothe musical ol
>> you are lucky. >> reggie: is that. >> you don't wanto know. >> james: but do i>> you say that then will you know and are you like,i should have listened. >> we were 15 years old sleep ona rock out in the woods. smoking large quantities ofmarijuana. i can see the sierra nevadage and himy nimy. >> james: a taste of sound.
♪ schda that. ♪ whoop. ♪ cordel schnew♪ heady loady bobin boo. >> jam wasju marijuana? what i got to i give to give it♪. >>>> james: wait wa, have you got that areyou going to give to my mum. >> love and affection. you got that are you give toad.
>> a stern talking to, if youwill. what i've got you've got to giveit to your daughter. >> james: what are you doingwith my daughter? >> now that is not for latenight tv, that is late late. >> james: that is us. we are late late. >> are late. with your daughter, we read bedtimetories. you got to get it put it you.
got you've got to getit put it in you. ♪ give it away, give it away,give it away now. ♪ give it away, give it away,♪ i can't tell if i'm kingpin or pauper♪ wh you were with the school acouple of blocks here. >> yes. >> james: what was your firstimpressions of each other at school. >> right.
>> major-- du ck. pie one and only friend, herolls up and starts roughing him up.h, hands off. >> james: you have never beenin a fight. >> never, not-- a couple oflittle kid scraps. >> we used to wrestle. >> james: did you, i love agood man wrestle. >> do you, be honest. >> james: a grapple.
>> no em bows, no knees. >> james: never like-- nopunches, no, like a holddown. >> right there. i will wrestle you any time youwant and i will destroy you. >> i want to wrestle. pulling over. wrestle on this lawn rightokay. >> i dant anyone to-- . >> james: i don't know whosehouse this is, i am slightly
worried i am going to offendthem. >> we're going to do a littleman wrestling. >> james: well done. i am going to lose my phone. >> are you starting down. >> no position. >> greko roman, up. >> james: no position, juststraight up. whose don't know whose housethis is.
>> you are going to want staylow. >> don't worry about it. >> james: what was that. >> go low, go low. >> go low! (applause). >> james: i submit, i submit,you destroyed me. >> that was quick. >> james: you made me realizewhat level i was at that.
oh my gosh. i didn't see that coming,kiedis. >> new show, front linewrestling. it is difficult to wrestle when you are laughingthat much. ♪ forour waiving. ♪♪ dream of californication. ♪ dream of californication. ♪>> james: now seeing you all,
what i considered to be maybethe most committed-base player of all time. >> you would think. >> james: i mean it, becauseyou are in it. like when you are playing, idon't know where you end and the-base guitar-- the bassguitar begins. >> i remember reading a bookabout bob marley when i was a teenager and he talks so muchabout the only thing that really mattered when you were playingmusic was the motivation and the
intensity and commitment to whatyou were doing in the moment. that commitment in the moment,that really struck home to me. and i find my greatest purposein life when i'm completely lost in the music. >> we all do. >> james: if i was a bassplayer, i would go straight up slap. >> you would. wouldkewherever my hand is, i would be right up here.
♪ many moons that are deeptlay so.t it has to say. ♪ you and i both know. ♪ everything must go away. ♪ don't know my mind. ♪ you don't k kind. ♪ dark necessities are part ofmy design. he world that i'm. from the sky. necessities are partfsign. j what do youhink slt most rock 'n' roll thing you havepart of or seen on th
road? >> we played a festival inears ago. in the crowd i saw two guys having with theirprosthetic legs. (lauter)>> one had a shoe on. didn't. >> that is rock. >> it was very dutch rock. ♪ sometimes i like i don'tpartne ♪ sometimes i feel lik my onlyfriend. ♪ is the city i love♪ the city of angels.
♪ lonely as i am. ♪ cry. i don't ever want to♪ like i that day. ake me to the plac. ♪ take me all the way. ♪ i do feelhat day.ake me to the place ive. ♪ takell the way. ♪>> jam didn't recognize you upbecause on, are you a band of tops off.
>>al. it seems natural. unnatural now with a>> a bit encumbered. ve, he has at least three layerson. >> j ourclothes. >> i that oneday i' havehe sock tonight. >> you know what-- . the shoes and socks.t>> i feel like there was a crew therre, some kind ofa bit of a cu: are you not going
full naked. >> no, i wouldn't. >> james: hang on what areedoing. >> not>> all give meat microphone. flee,s. >> i'moing back. >> james: no,'re not. in a wd away.
♪ pick it up not too stroyou. ♪ take a piece a it on. ♪ fly on myore than ever.s perfect weather. ♪ we'll find a place together. on thed can pass me by. ♪ away on my zephyr. ♪ we'll to liveforever. (cheers and applause)d that one. james: you know what top off just made mereat.
>> james: you know what imean. in they own with a top off i looweird. t the three of tops off it feelscompletely normal. am i wrong. >> james: is it true thatused to babysit >> she did. not on a regulard were you andwas she when she was babysitting. >> so i wa to recall 12 yeaold.
>> james: right. e you 12 you don't old adults ar>> james: sure. >> but she was fit andand i knew that. and ust kind of hithorm just touching it. i wasn't all intobut. >> james: you disco>> something i felt-- . >> james: you made friwith it. we hung out.
i slept her bed. i watched her throughthe crack of the bathr g ready for bed. i was like in myamies, gettingready to some zst. >> james:>> and she like as happenies: so you have spoken>> i did. i asked her and like whatare you being. >> james: really, sheacked it ou think she blacked it out.
ve been.urn back time.e the showtoni ♪ and there's a li on, heavyow. ♪ by the way i tri to say. danith is. ♪ singing me. ♪ beneath the marquee. ♪ over♪ ♪ and there's a light dani girl. ♪ i try say iyou. ♪ standing to see theshow tonight.
♪ and there's a on. glow. ♪ tried to♪ i'd be there waiting for. . you, ladies and gentlemen, peace>> james: i always knew that of my life to bit wasn't up for debate that cted it to be as as it has been. nt yourt i don't think they everthe red hot chili peppers. thank yoi loved it so very.
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